Churning Out Books in the Digital Age

The world of publishing is changing rapidly and I think, for the most part, that is good. The industry was bloated, wasteful, expensive, and an environmental disaster. The move to eBooks, the competition from those who can now publish their own works or create their own boutique publishing company, means that even the best authors need to avoid complacency.

Ready to be pulped. A shame we can’t plant them and replace the trees.

But there are inevitable side effects to this new shift.  One such phenomenon was spotlighted by Julie Bosman, in an article entitled: “Writer’s Cramp: In the E-Reader Era, a Book a Year Is Slacking.” Ms. Bosman gathered any quotes from other sources mentioned in this post.

In the previous model, writing a book a year was considered impressive and many A-list authors struggled to achieve this level of creative input. Now, however, with an audience thirsting for more, and having instant accessibility with eReaders and falling prices, publishers are demanding more from their authors, often in the form of short stories, articles, novellas, and often as not, another full length novel.

It is all about presence on the Internet and publishers are demanding that their authors are out there. It is not just books, but a social media presence. Authors are expected to be on twitter, blogging, Google+, Facebook, giving interviews and blog tours.

“It used to be that once a year was a big deal,” said Lisa Scottoline, a best-selling author of thrillers. “You could saturate the market. But today the culture is a great big hungry maw, and you have to feed it.”

Ms. Scottoline is now producing two books a year, doubling her writing output, and this is often fueled by a fear that readers won’t hang around waiting for the next book, but will move on to the next author.

Publishers are often demanding short stories to be published in between novels and prior to a launch, especially when a series is being produced over several years.  Lee Child, who writes the successful Jack Reacher thriller series, publishes these short stories in digital-only format.

“Everybody’s doing a little more,” said Mr. Child, who is published by Delacorte Press, part of Random House. “It seems like we’re all running faster to stay in the same place.”

Apparently publishers have discovered that a $0.99 short story will drum up support for a new eBook at $12-15 or $25+ for a hardcover. Given the impulsiveness in eBook purchases (if you like one book by an author, you will drop $20 to buy several of their older books) providing a welcome rise in sales of earlier books.  

That can translate into higher pre-order sales for the novel and even a lift in sales of older books by the author, which are easily accessible as e-book impulse purchases for consumers with eReaders.

But where is the balance between asking for more from authors and seeing a decline in the quality or level of creativity from authors? And are we going to see more burn-out from our top authors? And, I can’t help wondering, whether this is why we are seeing a rise in ghostwriting?

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Alon Shalev is the author of The Accidental Activist and A Gardener’s Tale. He is the Executive Director of the San Francisco Hillel Foundation, a non-profit that provides spiritual and social justice opportunities to Jewish students in the Bay Area. More on Alon Shalev at http://www.alonshalev.com/ and on Twitter (@alonshalevsf).

Independent Bookstores – Looking for Ways to Survive

Last month, more than 500 independent bookstore owners got together for a conference to discuss creative ways of generating more income. Julie Bosman covered the event in the New York Times.

What was clear was a consensus that just selling books wasn’t going to be enough. Even the giants, Borders and Barnes & Noble are struggling. There were optimistic voices:“We know now that in the world of physical book selling, bigness is no longer viewed as an asset,” said Mitchell Kaplan, owner of Books & Books, which has independent stores in South Florida, Westhampton Beach and the Cayman Islands. “It’s about selection and service and ambiance. Now we’re finding a situation where the marketplace is getting back to reality.”

But there were also calls for changing the rules. “We have to figure out how we stay in the game,” said Beth Puffer, the director of the Bank Street Bookstore in Manhattan. “You have to rethink your whole business model, because the old ways really aren’t going to cut it anymore.”

There was a lot of focus on taking the bookstore to the customer and harnessing websites, social media, and even selling e-books.

Matt Norcross, the owner of McLean & Eakin Booksellers in Petoskey, Mich., led a workshop on creating a store Web site and market both tree and e-books. The chosen host seems to be Google, perhaps seeking a bigger ally to fight Amazon.com. So far, they seem to be struggling to get their names out there on the web.

Naftali Rottenstreich, who is an  owner of Red Fox Books in Glens Falls, N.Y., said it it would be a huge challenge to accustom customers to the idea of buying books online through the independent bookstores.

“The mindset right now is, that’s Amazon or that’s Barnes and Noble.com,” he said. “There’s a transformation that has to take place, and I think it will happen in time.”

The idea is difficult. Their customers are willing to pay more for the privilege of perusing in an intimate environment, with staff that are familiar or them. The online idea loses all of this.

Other ideas include adding wine bars, cafes, and selling other products such as toys, baked goods or gourmet products.

Last October, I heard a lot of fear at the Northern California Independent Booksellers Association conference. While I am sure there was fear aplenty at this conference, there seems to be a strong desire to adapt and survive.

Do we really want our Main Streets devoid of a bookstore? What does this say about our values and what message is it passing on to our children? Or is Main Street even going to be relevant to the next generation’s buying experiences?

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Alon Shalev is the author of The Accidental Activist (now available on Kindle) and A Gardener’s Tale. He is the Executive Director of the San Francisco Hillel Foundation, a non-profit that provides spiritual and social justice opportunities to Jewish students in the Bay Area. More on Alon Shalev at www.alonshalev.com

A Place For The N Word

Last month I listened to Mark Twain’s The Adventures of Huckleberry Finn. Two factors were involved in this decision. Firstly, having been educated in the land of Chaucer and Shakespeare, I am woefully ignorant of classical literature in the country I now reside. Secondly, I was about to travel to Louisiana and work a stones’ throw from the banks of the Mississippi.

Just when I began the book, the N-word controversy exploded. NewSouth Books, a publisher based in Alabama, announced it plans to release a new edition in February wherein the word “nigger” is replaced by “slave.”

The word appears 219 times in all, it is hard to miss. I was listening when my 12 year-old got into the car and the word was spoken twice. My son, a proud product of Berkeley tolerance, was shocked. We had a long conversation about literature and artistic license. We have already had a number of discussions as to why I can write swear words and have them published, words that he is not allowed to say.

JULIE BOSMAN in an excellent New York Times article – Publisher Tinkers With Twain – explains that the idea came from Alan Gribben, a professor of English at Auburn University in Montgomery.  The professor has been teaching Mark Twain for decades and talked about always feeling uncomfortable when reading out loud a common racial epithet.

“I found myself right out of graduate school at Berkeley not wanting to pronounce that word when I was teaching either ‘Huckleberry Finn’ or ‘Tom Sawyer,’ ” he said. “And I don’t think I’m alone.”

Mr. Gribben, believes that Tom Sawyer and The Adventures of Huckleberry Finn have dropped off of many reading lists and wants to make the books more accessible.

“I’m by no means sanitizing Mark Twain,” Mr. Gribben said. “The sharp social critiques are in there. The humor is intact. I just had the idea to get us away from obsessing about this one word, and just let the stories stand alone.” (The book also substitutes “Indian” for “injun.”).

Does he have a point? While my ancestors were enslaved in Egypt a few centuries ago, it is not part of our scarred psyche – there are far too many more recent acts that scar the Jewish  people. So I am unclear whether I should have a say in the debate.

I would love to hear from people of color whose ancestors were slaves in America. Would you share your opinions in the comments?

Either way, the special relationship that develops between Huck and Jim is what makes this novel so special. It is a timeless lesson in companionship, as relevant today as ever before.

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Alon Shalev is the author of The Accidental Activist (now available on Kindle) and A Gardener’s Tale. He is the Executive Director of the San Francisco Hillel Foundation, a non-profit that provides spiritual and social justice opportunities to Jewish students in the Bay Area. More on Alon Shalev at www.alonshalev.com