Love Your Mum, Love Your Editor

I’ve become one of those people and I’m feeling ashamed of it. You know the type I’m talking about – the people who read your book and proactively looking for errors – grammatical, spelling, and especially plot. They get more excited discovering a mistake than at a plot twist. Okay, I have not fallen that far, but I am noticing mistakes and if there are too many, it becomes very off-putting.

Now let me make it perfectly clear: I have made all these mistakes…frequently. Thankfully my writer’s group or my awesome editor usually catches them. Here are a couple of examples:

In At The Walls Of Galbrieth – Seanchai and Ilana rode their horses into a closed desert enclave, met and fought some bad guys and walked out. Luckily, one of my writer’s group suggested they take their horses with them because they are in the wilderness!

I have had characters walk into a one-story building and climb stairs, and in Unwanted Heroes spent over a page talking about the pastry crumbs in Salvador’s beard – it was later cut to one line.

I have written and self-edited nine manuscripts, with six eventually published. It would not occur to me to publish a book without a professional eye scrutinizing every line. I am grateful for the people who email me when they find a mistake in one of my novels and I diligently write it down for a future revision. But I confess, it hurts when they find it. We want our novels to be perfect – if we didn’t, it would be a serious flaw in our motivation for publishing. 

I am close to finishing reviewing my editor’s work on Ashbar. As with the previous two epic fantasy novels, she has cut over 10% of the manuscript. Given that my own rounds of revisions did something similar, I am still always surprised. But the manuscript reads, without a doubt, tighter and more fluent for her work.

I came across an article by Dick Margulis entitled The Editor–Author Relationship: Five Reasons Why Self-Publishing Authors Need An Editor. I was more interested in the relationship side, but Margulis focused on the latter part – fair game considering he is an editor.

You can check out his article for yourself if you need convincing your work needs an editor. I am always surprised when people present at our writer’s group and preempt by telling us that their work is finished and sent to their publisher. I just know the group are going to find a dozen errors and will show no mercy pointing it out.

I think the relationship between author and editor is fascinating. I have never met Monica Buntin, my editor for the Wycaan Master series. But I feel we have a close, sensitive, professional relationship, and yet we could be sitting at adjacent tables in a coffee shop and never know (oh no, the woman next to me has caught me staring – she will never believe my reason!).

But we have created an understanding whereby she feels comfortable to be critical and I am willing to hear what she says (it helps that she is 95% right). I can email short questions and she send back a succinct answer while inviting me to ask if what she wrote is not clear. 

I have no idea if she enjoys my novels, but I have no doubt she is totally invested in my novels being as perfect as possible. I hear from so many friends, writers and editors, how this relationship is riddled with tension, how the writer feels the editor is rushing through, how the editor is too burned out to mention a flaw knowing the writer will just become defensive. 

I believe I have the perfect relationship with my editor and that can only mean a better, more fluid final manuscript. Perhaps it is better that we never meet and never invest anything personal in the relationship. It might be better if the woman at the next table was not my editor. Still…she has a dictionary on the table next to her latte.

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Alon Shalev writes social justice-themed novels and YA epic fantasy. He swears there is a connection. His latest books include: Unwanted Heroes and the 2013 Eric Hoffer Book Award for YA – At The Walls Of Galbrieth. Alon tweets at @alonshalevsf and @elfwriter.   For more about the author, check out his website.

I Didn’t Make The Cut

I’m bummed. This week 50 writers saw their manuscripts advance to the Semi-Final stage of the Amazon Breakthrough Novel Award – YA category. My humble offering – Wycaan Master – was not one of them. It reached the Quarter-Final, ahead of a few thousand others, but…

In an odd sense of timing, I will finish reading the 95,000 word epic fantasy story to my writer’s group. They stuck with me over the past 18 months though none (until the last couple of months) read or are interested in fantasy. Thank you – Berkeley Writers Group.

Either you think epic fantasy is alive and thriving (Tolkien, Terry Brooks, R.A. Salvatore etc.,) or you think the only fantasy that sells is high concept – Harry Potter, The Hunger Games…

It is hard writing in two genres – social justice-themed novels reflect my lifestyle and values. Young-adult fantasy was inspired by a writing project with my preteen son and has been a lot of fun. But they serve two separate target audiences and I maintain a seperate blog and twitter account (both under the elfwriter name).

I have to admit, I’ve arrived at a junction. I have not only sweated over a first YA fantasy manuscript, but completed a second, and am 30,000 words into a third. It is  a series and I must admit: I’m kind of hooked on it.

I want to see how my young heroes (and villains – who I am also quite attached to) grow. Will the races of Odessiya unite? What is the Emperor’s secret power that enables him to keep winning? Will shy Seanchai and his guide, Ilana, ever hook up?

As a reader becomes hooked on a series and feels compelled to read through to the end, I have discovered that so can an author become ensnared. It might well be an issue of not writing an outline and having faith in the story evolving, but I need to discover what happens in the world I’ve created.

Even if I didn’t make the cut.

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Alon Shalev is the author of The Accidental Activist and A Gardener’s Tale. He is the Executive Director of the San Francisco Hillel Foundation, a non-profit that provides spiritual and social justice opportunities to Jewish students in the Bay Area. More on Alon Shalev at http://www.alonshalev.com/ and on Twitter (@alonshalevsf).