Left Coast Voices

"I would hurl words into the darkness and wait for an echo. If an echo sounded, no matter how faintly, I would send other words to tell, to march, to fight." Richard Wright, American Hunger

Archive for the tag “George R.R. Martin”

The Magic Never Grows Old

This is actually the eighth time that I am on the cusp of a book being published. This count includes a couple of self-published books that were picked up by Three Clover Press and repackaged with new covers, titles, and an extensive round of edits. A face-lift and open heart surgery never felt so good! But today I am as excited as I was the first time, and the second, and the third… You get the point. Sometime in the next two weeks, Ashbar, sequel to The First Decree, and the 2013 Eric Hoffer Book Award YA category, At The Walls Of Galbrieth, will be officially released by Tourmaline Books. Ashbar front cover I wonder how it is for the big fish? When those A-list authors have their 20th, 30th, or 40th novel released, are they just as excited? Yes, I’m thinking of you, Terry BrooksGeorge R.R. Martin, J.K Rowling, Terry Goodkind. Are these authors and others coolly not checking their email every hour for the official notice from their publishers? Do they accidentally type their name into the Amazon.com search engine and browse down the list of books on their author’s name? I am, of course, way to cool to be checking every hour, myself. In order to be productive at work and give my sons the attention they deserve, I have set reminders for four times a day – I’m awake for eighteen, I figure that’s too compulsive! I have not yet held my review copy – it is on the way, I am promised, though this might have been a desperate ploy to shut me up (can’t blame them) – I remember each time it happened with almost the clarity of holding my newborn sons. The books, I have to admit, were not as slimy or noisy. I am currently 50,000 words into writing a fantasy novel for adults that I hope will be a series alongside the Wycaan Masters. I believe authors who keep two series running (Terry Brooks is my role model), then both series’ remain fresh. But I have promised to start the editing process for Book 4 (actually started with my writer’s group over the summer) before sending it off to Tourmaline’s wizards) so that they receive it by the end of 2013.

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Where it all began: Writing Book 1 with sons in an ancient Redwood forest.

The process is ongoing. Each magical, landmark moment: finishing writing the last page, sending the book to the editor, seeing the cover for the first time, receiving the review copy… these are all just stages in a journey to build not only a world, but a dynasty – a multi-generational world with a history of its own.

But that never stops these special moments of holding a real copy of your book for the first time being magical – and it never should.

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, Wycaan Master Book 1 and The First Decree, both released by Tourmaline Books. Ashbar – Book 3 – is due for release in October 2013. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More at http://www.alonshalev.com and on Twitter (@elfwriter).

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Eat, Pray, Love, Write.

This week I received the galley proofs for Ashbar, the third book in the Wycaan Master series. I recall, when I first held a copy of The First Decree, writing that I hope this special feeling never grows old. The process for writing a book, from tentatively typing the word Prologue to holding a copy of a book is long and arduous.

Ashbar front coverIt is also an integrated part of a multi-book process. The previous book is still being marketed, the next book being written, and sometimes there is a sense of never-ending cycle. This is good and how it should be. I can only imagine that the alternative is far more disconcerting – no new story, no end product. But it sometimes feels like I am pounding the treadmill and the clock is not moving as fast as I want it.

I decided to take a break this summer, once Ashbar had been submitted. I did read my first draft of Book 4 to my sons , but I otherwise planned not to write. I cut down on blog posts and thought I would give the creative and marketing sides a rejuvenating rest.

imgres-2Two things prevented this. First, I am not a recognized author who can yet rely on the market to sell my books. Blog posts, twitter, the invaluable interactions with those who are following my process and reading my books, are what spur book sales. George R.R. Martin and Terry Brooks might be able to take a break, but not those of us further down the ladder.

The second reason came out of a bike ride with my youngest. We were riding round a lake and I was looking for a kingfisher that used to hang out here. My 10-year-old was soon postulating a series of ever more fantastical scenarios of how the kingfisher got its name.

Having not yet gone on our camping trip, he was eagerly anticipating our annual ritual when I would read them the next book in the Wycaan Master series. He decided that this bird, of course fast, agile and very wise, was a fisher of kings, one who went from kingdom to kingdom and advised the rulers.

I half listened, half looked for the darn bird, and without realizing it, allowed my son to plant some seeds. So, with some planned downtime not writing, I found myself seated at my computer, furiously typing some notes that soon became almost 25,000 words of a start to something new, still fantasy, but different.

images-1This is more Game of Thrones than Lord of the Rings. There are certainly chapters too violent, or with sex or swearing, that I would not read to my sons, but it was relaxing to take a break from writing the series that has occupied me for the past four years and … well, keep writing.

I have no idea if this story is any good. I have not even stopped to read it myself. But it is ironic how I seem to define a break, a period of rejuvenation, as an opportunity to write something new. When you have been working out on a regular basis it is difficult to just stop. I imagine when you follow a religious or spiritual regime, or a diet perhaps, it is hard to just cease.

I’m not sure if writing something else is a smart way to recharge my batteries. But summer is over, there are galleys to proofread, book 3 to launch, the manuscript of book 4 to start editing, and nearer the end of the year, book 5 to start writing.

The cycle continues. I hope there is a steadily growing audience who are concerned and invested in my characters and await each new book in the series. There are certainly two appreciative young men who have high expectations of their father. Who needs to recharge batteries?

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Alon Shalev is the author of the 2013 Eric Hoffer YA Book Award winner, At The Walls of Galbrieth, and the sequel, The First Decree, both released by Tourmaline Books. Shalev is also the author of three social justice-themed novels including Unwanted Heroes. He swears there is a connection. More on Alon Shalev at http://www.alonshalev.com and on Twitter (@elfwriter).

Amanda Hocking Joins Elite Group

Amazon.com have just announced that Amanda Hocking has joined the Kindle Million Club. She joins Stieg Larsson, James Patterson, Nora Roberts, Charlaine Harris, Lee Child, Suzanne Collins, Michael Connelly, John Locke, Kathryn Stockett, Janet Evanovich, George R.R. Martin, David Baldacci, and Stephenie Meyer.

Amanda Hocking

Amanda, together with John Locke, sold most of her books herself through self-publishing, then working incessantly to promote them online. Hocking, still in her 20’s, is now the best-selling author of 10 books, including the My Blood Approves series and the Trylle Trilogy. The latter has been optioned for movies.

When asked, Hocking paid tribute to her readers, thanking them for their support. She also praised Amazon for creating the Kindle platform. This is humble and welcoming, but I have been following Ms. Hocking’s blog, and she reached this landmark by tenacious belief and hard work.

Beautiful Covers - We share the same cover designer.

Congratulations, Amanda Hocking.

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Alon Shalev is the author of The Accidental Activist and A Gardener’s Tale. He is the Executive Director of the San Francisco Hillel Foundation, a non-profit that provides spiritual and social justice opportunities to Jewish students in the Bay Area. More on Alon Shalev at http://www.alonshalev.com/ and on Twitter (#alonshalevsf).

Why We Read Fantasy 2

Last weekend, I shared some comments from adults who we asked why they read fantasy. A friend sent me this article by Lev Grossman, author of “The Magicians” and the recently released “The Magician King.”

In the article, Grossman talks about the excitement generated by the release of George R.R. Martin’s “A Dance With Dragons.”

“The book has brought with it, along with the feverish excitement of fans like myself, a whiff of burning insulation. There’s a cultural short circuit happening somewhere in the system.”

What I believe is creating the stir is the fact that while Mr. Martin’s work is clearly fantasy, it does not adhere to the formulaes of such leaders as  J.R.R. Tolkien and C.S. Lewis. Martin includes a fair helping of blood and sex in his continent of Westeros than the Pevensie children ever saw in Narnia. Something has changed.

Grossman shares his frustration at the perception that fantasy is for children and adults who are in denial that they are adults and seeking some escapism. “I see it all the time. I’ll be at a dinner party, and the person next to me asks me what I do. I’m a novelist, I’ll say, and a little light of hopeful interest kindles in their eyes. What kind of novels do you write? the dinner guest asks. And I reply: fantasy novels. And just like that, the little light of hopeful interest dies away.”This story really resonates with me. Every week at the Berkeley Writers Group, I meet new people and introduce myself as an author of political fiction. Then when I prepare to read my weekly offering, I apologetically explain that I wrote a fantasy novel with my eldest son. All true of course, but I am conscious that I am using it as justification.

Why? Grossman goes on to say: “It hasn’t always been this way. There was a time when adults read fantasy with impunity. The classical literature of Greece and Rome is so fantastical that you can’t swing a cat without hitting a god or a witch or a centaur, and chances are the cat will turn out to be somebody’s long-lost son-in-law in transfigured form.”

Right on! Stephen Wenster backs him up by asking where “would Shakespeare have been without fantasy—his spirits, his ghosts and the witches three of Macbeth?”

Apparently fantasy, without being labeled as a genre was prominent throughout literature history: “Where would Spenser’s “Faerie Queene” be without fairies? Where would Shakespeare have been without fantasy—his spirits, his ghosts, and his proto-Orc Caliban, the misshapen villain of “The Tempest”? You can’t have Macbeth without the witches three. Apart from everything else, who would have handled all that crucial exposition of the play’s plot?”
Absolutely!

Lev Grossman

Grossman, who holds a Ph.D in Comparative Literature,  acknowledges that around the time of Samuel Johnson. Perhaps they actually began to believe that ghosts and magic really didn’t exist.

Again, Lev Grossman: “A fascination with the here and the now and the real set in. This was the moment when the novel arose in the West, and it was an ideal medium to satisfy that fascination. Novels were about the way we live now. There was no Caliban on Robinson Crusoe’s island, just the eminently human Friday.
“In 1750, Samuel Johnson wrote an influential essay in praise of fiction that was about “life in its true state, diversified only by accidents that daily happen in the world.” As far as he was concerned, a good novel “can neither employ giants to snatch away a lady from the nuptial rites, nor knights to bring her back from captivity; it can neither bewilder its personages in deserts, nor lodge them in imaginary castles.” Thus admonished, ghosts and witches went off to live in fairy tales and allegories and gothic novels and other disreputable places.”
So history is against us, perhaps because people really did believe in magic and ghosts.  But I do believe that the fact that we all accept that there is nothing factual in elves, dwarfs etc. allows us to focus on allowing values to play a prominent role because, as Grossman say: “If anything, it is realist literature that pretends to be real. Fantasy doesn’t pretend.”

Fantasy is one of the few literary genres left where it is still considered okay to explore questions of moral judgment. But that’s not a bad thing. When the powerless and good become empowered and are able to change the destiny of their world, there is something that resonates in a world where so many feel alienated and disenfranchised. When coming-of-age can happen at any age, why would an adult still hoping to leave his/her mark on the world not be attracted to such novels?

As Grossman says: “It’s one of the great human stories” and I suspect this is why fantasy novels will continue to draw a big crowd of adults who want to still believe that we can make a difference in our world.

 

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Alon Shalev is the author of The Accidental Activist (now available on Kindle) and A Gardener’s Tale. He is the Executive Director of the San Francisco Hillel Foundation, a non-profit that provides spiritual and social justice opportunities to Jewish students in the Bay Area. More on Alon Shalev at http://www.alonshalev.com/and on Twitter (#alonshalevsf).

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