Getting Creative

This week, as part of my virtual book tour, I stopped by Richard in Anderson, South Carolina.  His blog is Bound & Determined (to find a good read). Richard reviewed The Accidental Activist (he is the first person to hug my book … at least who admitted to doing so!). He also posted a short article that he requested I wrote on The Creative Process.

Thank you, Richard.  

The Creative Process
I was recently asked in a workshop how I find time to write. I had surprised the audience when I asserted the ability to write a 90,000 novel in 100 days. I write at this pace while holding down a challenging full-time job and being an active and involved husband, father, and community member. In fact, I have done this twice in 2011 and could keep writing if I didn’t have to attend to marketing and promotion.

I can write anywhere - even in a redwood forest.

Many authors have their own personal framework: the sacred space in their house, listening to certain music, the writer’s retreat, and many more. Whatever works for you is right, but my desk in our kitchen. I swivel my chair around and I am at the dinner table. I can write in coffee shops, on the train ride as I commute, or while several boys enjoy a rambunctious play-date in our tiny house.

Writing has always been a natural process for me and I rarely need to spend much time deliberating what my plot is going to be or developing my characters. From what I hear, this is not typical.

It is a state of mind. When I am writing a novel, I am in an intimate relationship with my characters. Since I do not plan my novels before writing, I am absorbed in the plot, sharing the thrill of what might happen next, just as my readers and characters experience it.

I am able to switch off, to leave my characters and focus at work or home, and switch back on when I have an hour to write. What I do think is important is that I am writing consistently. When I am in the creation process, I must write every day. In fact, I am pretty sure that I become quite insufferable when I am not keeping up with my characters.

The Accidental Activist, a political courtroom drama in which two young individuals are sued by a multinational corporation and need to defend themselves in court, is based upon a real court case. The food giant, McDonalds, sued two activists in England in the 1990’s and the archaic legal system did not allow legal aid to be granted in a libel trial (they have since overhauled these laws because of this case). Try to blow up the Queen’s Corgis (her dogs) and the state provided you with a lawyer, but not for libel. So the plot was pretty much laid out for me. With what happened there, I didn’t need to embellish.

The Real Heroes - Helen Steel & Dave Morris

But even when I do not base a novel on something that really transpired the story has always quickly taken shape. For example, A Gardener’s Tale is a reflection on the fast-disappearing rural life in England and the magic of the Pagan religion that still permeates village society, or Unwanted Heroes (release Spring 2012) which is a critical view of how we in America treat our war veterans, as seen though the eyes of a young English Kerouac-wannabe in San Francisco. The first draft to both these novels were each written in a quick and intensive period of time.

New Cover, New Edition

It is an amazing thrill, a rush, to see the novel come to life under my fingertips. It is what makes the periods between writing so frustrating, and what keeps me always coming back for more.

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Alon Shalev is the author of The Accidental Activist and A Gardener’s Tale. He is the Executive Director of the San Francisco Hillel Foundation, a non-profit that provides spiritual and social justice opportunities to Jewish students in the Bay Area. More on Alon Shalev at http://www.alonshalev.com/ and on Twitter (#alonshalevsf).